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Kaul, H. (?) Etching of a windmill in rural landscape. Stock ID: 36914 No date. Ca. 1890s-1900. Etching, 13 3/8 x 20 inches on sheet 19 1/2 x 26 inches. Very good condition: light overall toning; old brown paper tape on edges of verso (back) of print, well outside image area. With original wide wood frame (no glass). A rich impression with strong plate mark. Signed in pencil at lower right. |
$450.00 |
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BATAR)
Batar, Effie J. Stone Bridge. Stock ID: 42735 Etching, plate mark 2 1/2 x 3 1/8 inches (6.5 x 8 cm), on sheet size 4 7/8 x 5 inches (12.4 x 12.7 cm). Faint foxing only visible in lower margin, hinging tape to upper left and right corners. Signed in pencil under image "Stone Bridge" at left and "Effie J. Batar" at right. A charming image. |
$35.00 |
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BLACKBIRDS)
Bebb, Maurice R. (artist). Yellow-headed Blackbirds. Stock ID: 45554 1957. Multiplate soft-ground & aquatint etching on silvery fabric, 7 1/4 x 9 1/4 inches on fabric sheet 10 x 12 inches. In thin card display mat attached at upper edge with 3 small tape corners (well outside image area); very good, clean condition. An attractive image of three black and yellow birds by Maurice R. Bebb, member of the Prairie Printmakers. |
$125.00 |
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BREWER, J. ALPHEGE)
Brewer, J. Alphege (illus). Untitled image of a cathedral. Stock ID: 43254 London. W. R. Howell & Co. 1911. Etching, 19 1/2 x 13 1/3 inches on sheet size 23 x 18 inches. Tipped into original mount, light crease at lower left corner (far from image), very good clean condition. Original mount is lightly foxed but print is clean. An original etching by J. Alphege Brewer from "Six Original Etchings. By W. L. Wyllie, R.A., R.E., Wilfrid Ball, R.E., Fred Slocombe, R.E., Arthur Turrell and J. Alphege Brewer. Signed Artists' proofs. Limited to Four Hundred Copies." Published by W. R. Howell & Co. Signed in pencil at lower left of print. A reduced size facsimile copy of the title page of the portfolio will be included. |
$375.00 |
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BRONTE, CHARLOTTE)
Richmond, G. (after). Etched by Blanche Dillaye. Portrait of Charlotte Bronte. Stock ID: 43412 Philadelphia. Robert M. Lindsay. [ 1884]. TWO ETCHINGS, 5 x 3 1/2 inches on sheet 9 x 6 inches. Very good condition. A pair of etchings from the limited "Haworth Edition" of Jane Eyre, which was published with artist's etchings in duplicate in two different impressions, one of which was printed on Japan paper and signed in pencil by the etcher. Blanche Dillaye (1851-1931) was an American painter, etcher, and illustrator, whose work was displayed in the women painters exhibition at the 1893 Columbian Exposition. She was a founder and the first president of the Plastic Club in Philadephia. George Richmond (, 1809-1896)was an English painter, draftsman, and engraver. |
$145.00 |
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BRONTE, CHARLOTTE)
Wimperis, E.M. (after). Etched by Edith Loring Peirce. Thornfield Hall. Stock ID: 43413 Philadelphia. Robert M. Lindsay. [ 1884]. TWO ETCHINGS, 3 3/4 x 5 3/4 inches on sheet 6 x 9 inches. Very good condition. A pair of etchings from the limited "Haworth Edition" of the novel "Jane Eyre", which was published with artist's etchings in duplicate in two different impressions, one of which was printed on Japan paper and signed in pencil by the etcher. Edith Loring Peirce (1855-1940) was an American printmaker who studied with Stephen Parrish. Edmund Morison Wimperis (1835-1900) was an English painter, draftsman, and illustrator. Thornfield Hall is the home of Edward Rochester in the novel. |
$265.00 |
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BRONTE, CHARLOTTE)
Gaskill, Mrs. (after). Etched by J. Henry Hill. Haworth Church and Parsonage. Stock ID: 43415 Philadelphia. Robert M. Lindsay. [ 1884]. TWO ETCHINGS, 2 3/4 x 4 inches on sheet 9 x 6 inches. Very good condition. A pair of etchings from the limited "Haworth Edition" of Jane Eyre, which was published with artist's etchings in duplicate in two different impressions, one of which was printed on Japan paper and signed in pencil by the etcher, J. Henry Hill. The etching that is not pencil signed (although signed in the plate) is the title page illustration for volume I. Haworth Parsonage was the home of Charlotte Bronte. |
$185.00 |
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COLE, J.F.)
Cole, Joseph Foxcroft. (American, 1837-1892). A Village Street in France. Stock ID: 42730 [ 1879]. Etching, plate mark 7 5/8 x 9 1/2 inches (19.4 x 24.1 cm), on sheet size 8 3/4 x 10 1/2 inches (22.3 x 26.7 cm). Sheet has been trimmed (to 1/4 inch from image at top left) and edges rounded, good clean condition. Signed in plate "J. Foxcroft Cole". |
$165.00 |
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GARRETT)
Garrett, E.H. (1853 - 1929) American. The Wayside Inn. Stock ID: 42796 Boston. Estes and Lauriat. 1882. Etching, plate mark 4 5/8 x 6 3/4 inches on sheet 8 x 10 3/4 inches. Fine condition. Initialed and dated 1880 in the plate at lower right, published in the 1882 first edition of Louise Reid Estes "Nature and Art". An excellent impression of this view of Longfellow's Wayside Inn in Massachusetts; later editions lack the clarity of line. |
$65.00 |
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GARRETT)
Garrett, E.H. (1853 - 1929) American. The Wayside Inn. Stock ID: 42799 Boston. Estes and Lauriat. 1887. Etching, plate mark 4 5/8 x 6 3/4 inches on sheet 9 x 12 inches. Very good condition with faint toning to outer edges of sheet (well outside image area). Initialed and dated 1880 in the plate at lower right, published in the 1887 edition of Louise Reid Estes "Nature and Art". A view of Longfellow's Wayside Inn in Massachusetts. |
$35.00 |
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GIFFORD, R. SWAIN)
Gifford, R. Swain. (American, 1840 - 1905). [Coal Pockets at New Bedford, Mass.] Stock ID: 42733 Dated in plate 1879. Etching, light brown laid paper, plate mark 8 1/2 x 5 7/8 inches (21.6 x 14.9 cm), on sheet size 10 x 8 inches (25.4 x 20.3 cm). Overall browning to paper. Signed in plate "R. Swain Gifford - 79" at lower right. |
$120.00 |
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HEANEY)
Heaney, Charles (Oregon painter and printmaker, 1897-1981) Summer Lane. Stock ID: 44634 Linocut, 6 1/2 x 8 3/4 inches on India paper 8 x 10 1/4 inches. Light creasing in upper margin, attached to card backing by two tiny hinges, very good condition. |
$185.00 |
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KEESEY, W. M.)
Keesey, W. M. (illus). Untitled etching showing Birmingham Plant of Henry Wiggin and Company, Limited. Stock ID: 44188 Etching, image 4 1/4 x 6 1/2 inches on sheet size 8 x 9 3/4 inches, loose in original paper mat (two small original hinges attached to two upper corners), in paper presentation folder. Signed in pencil by the artist at lower right. Very good condition. This etching by Mr. W. M. Keesey, was produced by the Henry Wiggin and Company, Limited, as a memento of the Company's Centenary. It shows the "principal Mill for rolling Nickel and its alloys at the Birmingham Plant of the Company". |
$135.00 |
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LEROI - FRANCE - MONT SAINT MICHEL)
Leroi, Emile (1887-1944) Abbaye du Mont Saint Michel vue de la Tour au Nora. Stock ID: 44932 No date. Ca. 1940. Etching, 6 1/2 x 4 1/4 inches (16.5 x 11 cm) on sheet size 10 x 6 1/4 inches. Fine condition. Attractive atmospheric view of Mont Saint-Michel by Emile Leroi. Signed in pencil at lower right. Small label for Galerie de Rohan, Paris on verso. |
$95.00 |
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LEROI - FRANCE - NORMANDY - MONT SAINT MICHEL)
Leroi, Emile (1887-1944) Mont Saint Michel Le Chatelet. Stock ID: 44931 No date. Ca. 1940. Etching, 6 7/8 x 4 1/4 inches (17.5 x 11 cm) on sheet size 10 x 6 3/8 inches. Very good, clean condition. Attractive atmospheric view of Mont Saint-Michel in Normandy. Signed in pencil at lower right. Small label for Galerie de Rohan, Paris on verso. |
$95.00 |
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MACCOY, GUY)
Maccoy, Guy (illus). White Flowers. Stock ID: 43012 No date. Ca. late 1960s. Silk screen print, image 25 1/2 x 37 inches on sheet 30 1/2 x 43 inches. Very light toning to left margin and verso, light crease to lower right corner well outside image, overall very good to fine condition, never matted or framed, with brilliant color. An oversized silk screen print by Guy Maccoy, a pioneer of the art of serigraphy. One of a limited edition of 50. Prior to the 1930s silk-screen was primarily used for commercial purposes, but in the early 1930s, inspired by "pochoir prints" from France, Maccoy and his wife experimented with it as a medium for creative printmaking. Guy Crittington MacCoy (1904 - 1981) was born in Kansas City and studied at the Kansas City Art Institute. During the Depression he worked as a muralist for the WPA Federal Art Project. In the 30s he began producing prints with his wife, Geno Pettit. The couple moved to California following World War II where he taught at Jepson Art Institute and Otis Art Institute. His work is in the collections of the Metropolitan Museum of Art and the Brooklyn Museum. This particular print came from an art gallery in Portland, Oregon, which has been long out of business. It has been in storage for over twenty years, protected from sunlight, damp and mold. It is excellent condition. It is signed in the margin, bottom right. It is a bold representation of silkscreen printing of the mid century modern era. A most interesting transcribed interview with MacCoy and Pettit (in the public domain) can be found at: http://www.aaa.si.edu/collections/oralhistories/transcripts/maccoy65.htm |
$225.00 |
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MACCOY, GUY)
Maccoy, Guy (illus). St. Francis and Birds 68. Stock ID: 43013 1968. Silk screen print, image 26 x 38 inches on sheet 32 x 43 inches. Very light toning to left margin and verso, faint foxing to lower right corner and right edge, overall very good condition, never matted or framed, with brilliant color. An oversized silk screen print by Guy Maccoy, a pioneer of the art of serigraphy. One of a limited edition of 90. Prior to the 1930s silk-screen was primarily used for commercial purposes, but in the early 1930s, inspired by "pochoir prints" from France, Maccoy and his wife experimented with it as a medium for creative printmaking. Guy Crittington MacCoy (1904 - 1981) was born in Kansas City and studied at the Kansas City Art Institute. During the Depression he worked as a muralist for the WPA Federal Art Project. In the 30s he began producing prints with his wife, Geno Pettit. The couple moved to California following World War II where he taught at Jepson Art Institute and Otis Art Institute. His work is in the collections of the Metropolitan Museum of Art and the Brooklyn Museum. This particular print came from an art gallery in Portland, Oregon, which has been long out of business. It has been in storage for over twenty years, protected from sunlight, damp and mold. It is excellent condition. It is signed in the margin, bottom right. It is a bold representation of silkscreen printing of the mid century modern era. A most interesting transcribed interview with MacCoy and Pettit (in the public domain) can be found at: http://www.aaa.si.edu/collections/oralhistories/transcripts/maccoy65.htm |
$225.00 |
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MACCOY, GUY)
Maccoy, Guy (illus). Red Bouquet. Stock ID: 43014 No date. Ca. late 1960s. Silk screen print, image 23 3/4 x 35 3/4 inches on sheet 30 x 41 1/4 inches. Very light toning to left and right margins and verso, small area of foxing to lower right corner and left upper edge, overall very good condition, never matted or framed, with brilliant color. An oversized silk screen print by Guy Maccoy, a pioneer of the art of serigraphy. One of a limited edition of 50. Prior to the 1930s silk-screen was primarily used for commercial purposes, but in the early 1930s, inspired by "pochoir prints" from France, Maccoy and his wife experimented with it as a medium for creative printmaking. Guy Crittington MacCoy (1904 - 1981) was born in Kansas City and studied at the Kansas City Art Institute. During the Depression he worked as a muralist for the WPA Federal Art Project. In the 30s he began producing prints with his wife, Geno Pettit. The couple moved to California following World War II where he taught at Jepson Art Institute and Otis Art Institute. His work is in the collections of the Metropolitan Museum of Art and the Brooklyn Museum. This particular print came from an art gallery in Portland, Oregon, which has been long out of business. It has been in storage for over twenty years, protected from sunlight, damp and mold. It is excellent condition. It is signed in the margin, bottom right. It is a bold representation of silkscreen printing of the mid century modern era. A most interesting transcribed interview with MacCoy and Pettit (in the public domain) can be found at: http://www.aaa.si.edu/collections/oralhistories/transcripts/maccoy65.htm |
$225.00 |
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MORAN, THOMAS)
Moran, Thomas (1837-1936). Twilight in Arizona. Stock ID: 42723 Etching, with roulette and step biting, 5 3/4 x 9 inches (14.9 x 22.8 cm), on sheet size 10 3/4 x 13 3/4 inches (27.3 x 34.9 cm). Soft crease to upper right corner, very good condition. With titled tissue guard. |
$485.00 |
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MORAN, THOMAS)
Moran, Thomas (1837-1926). On the St. John's River. Stock ID: 42724 1881. Etching, 5 7/8 x 8 3/4 inches (15 x 22.3 cm), on sheet size 10 3/4 x 13 1/2 inches (27.3 x 34.2 cm). Soft crease to lower right corner of sheet, 1/8 chip to lower left corner of sheet, slight undulation to paper (from printing - within the plate mark only), very good condition. With titled tissue guard. Signed in plate "T. Moran 1881". The description on the tissue guard reads in part: "There is decided reminiscence of Turner in this picture, which is one of the most charming that have ever left Mr. Moran's easel...the river is spread out calmly in dazzling splendor under the southern sun" - an extraordinary image of this, the longest river in Florida. |
$750.00 |
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SCHROFF, ALFRED)
Schroff, Alfred (illus). Point Lobos Carmel. Stock ID: 42112 No date. Ca. 1930? Etching and drypoint, image 8 3/4 x 7 1/4 on sheet 9 1/2 x 7 inches. Overall toning to paper. A richly printed image conveying the dramatic landscape of the area by Oregon artist Alfred Hermann Schroff (1863-1939). |
$185.00 |
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SHEEP)
Cooper, T. George (illus). Sheep. Stock ID: 42857 No date. Ca. 1884. Engraving, 5 1/2 x 9 inches oon sheet size 6 1/4 x 10 3/4 inches. Very good condition. An attractive late nineteenth century image by British artist T. George Cooper of two resting sheep surrounded by foliage. |
$65.00 |
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SIMON, GRANT)
Simon, Grant. Washington's Headquarters, Valley Forge - 1777-78 WITH Mt. Misery, Valley Forge - 1777-78. TWO LITHOGRAPHS. Stock ID: 44886 No Place of Publication. 1963. TWO LIMITED EDITION LITHOGRAPHS SIGNED BY THE ARTIST IN PENCIL AT LOWER LEFT. Each 8 3/4 x 12 inches on sheet 13 x 17 inches, hinged into window mat. Both prints in very good to fine condition. |
$195.00 |
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SLOCOMBE, FREDERICK ALBERT)
Slocombe, Fred (illus). Winter Fuel. Stock ID: 43255 London. W. R. Howell & Co. 1911. Etching, plate area 14 x 21 inches on sheet size 19 x 25 1/2 inches, tipped into original mount with original title sheet. A few very faint foxing marks in outer margins, very good clean condition. A few marks to original mount, original title sheet is very toned. An original etching by English painter and etcher Fred Slocombe (1847-ca.1920) featuring two young women carrying gathered branches through a snowcovered landscape. From "Six Original Etchings. By W. L. Wyllie, R.A., R.E., Wilfrid Ball, R.E., Fred Slocombe, R.E., Arthur Turrell and J. Alphege Brewer. Signed Artists' proofs. Limited to Four Hundred Copies." Published by W. R. Howell & Co. Signed in pencil at lower left of print. A reduced size facsimile copy of the title page will be included. |
$375.00 |
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THORNTON)
Thornton, Harold. ((1892-1958). The Parting Day. Stock ID: 42736 Color etching, 9 1/4 x 7 1/8 inches (24 x 18 cm), on sheet size 12 x 9 inches (30.5 x 22.8 cm). Small piece of hinging tape to upper left and right corners, thin strip of adhesive to upper and right edge of verso, very good clean condition. Signed in pencil under image "The Parting Day" at left and "Harold Thornton" at right. |
$225.00 |
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TURRELL, ARTHUR)
Turrell, Arthur (illus). The Jungfrau. Stock ID: 43256 London. W. R. Howell & Co. 1911. Etching, plate area 15 3/4 x 21 1/2 inches on sheet size 19 1/4 x 25 inches, with original title sheet. Three pin prick sized spots in outer margins, very good clean condition. An original etching by Arthur Turrell featuring snow-covered mountains in Switzerland viewed through a forest. Title sheet includes a diagram to the mountains depicted (Eiger, Monch, Jungfrau). From "Six Original Etchings. By W. L. Wyllie, R.A., R.E., Wilfrid Ball, R.E., Fred Slocombe, R.E., Arthur Turrell and J. Alphege Brewer. Signed Artists' proofs. Limited to Four Hundred Copies." Published by W. R. Howell & Co. Signed in pencil at lower right of print. Includes a facsimiled copy of the portfolio title page. |
$675.00 |
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VON NEUMANN)
Von Neumann, Robert. (German/American, 1888 - 1976). Plowing Along the Shore. Stock ID: 42728 No date. Lithograph, 12 7/8 x 9 3/4 inches (32.7 x 24.8 cm), on sheet size 16 3/4 x 12 1/2 inches (42.1 x 31.8 cm). Adhesive residue from dry mount (?) covers verso, two small areas of hinging tape residue to upper left edge (well outside image area), toning to recto (from previous matting?). Signed in pencil under plate "Plowing along the Shore" at left, "Robert von Neumann" at right. |
$385.00 |
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WEBB, ALONZO C.)
Webb, Alonzo C. (American, 1888 - 1975). Untitled Cityscape [Chicago Tribune Tower?]. Stock ID: 44682 No date. Ca. 1930. Etching, plate mark 12 x 6 5/8 inches (30 x 17 cm), on sheet size 16 1/2 x 10 3/4 inches (42 x 27.5 cm). Very good condition. Signed in plate "A C Webb Paris" at lower left. This atmospheric city scape focuses on a neo-gothic style high rise which resembles the Chicago Tribune Tower, completed in 1925. |
$395.00 |
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WINKLER)
Winkler, John William. Oriental Alley. Stock ID: 42113 No date. Ca. 1930s. Etching, image 8 x 5 inches on sheet 10 x 7 1/2 inches. Remains of mat hinges at upper edge, else very good condition. Edition of 60. An atmospheric view of an alley in San Francisco's Chinatown by American painter and engraver (1890-1979). For more information on the artist's etchings see johnwilliamwinkler dot com. |
$295.00 |
